Fly underwater, swim over the sky, walk internet, browse the earth
the digital fire burns me
Listen to your phone, listen to the nature
Internet Country,
the country of Internet,
Internet is my country,
Infinite QR CODE ROOM, qr codes that go to digital infinitY, DIGITAL INFINITY
Enter a room full of qr codes, which invites us to scan, perceive, and contemplate these contemporary codes from their visual perspective, in order to go beyond mere functionality and reach the aesthetic perception of them through the use of resources such as repetition and exaggeration.
Their tribal reminiscence leads us to rethink the place they occupy in our lives in order to connect from a visual and technological perspective.
These codes are like bridges that transport us from the physical plane to the digital one through tactile mediators such as our screens.
Espinasse 31 Milan, Italy
Chairxion, Chairxion, chair, connection, chairxion, charged, connected with the disconnection, chairxion, chair, cables,
This piece is made with cables and chargers of digital devices that maintain their functionality, and that act as a center of digital connection, natural as well as human.
These elements go through a metal and foam structure, the latter emulating the digital cloud, in order to form a network where devices are welcome to be part of an interchangeable sculpture. The ends act as ports to receive these electronic devices that are arranged in various ways around the structure.
Chairxon combines elements of digital life as well as natural life where the earth, plants and cables create an ethereal symbiosis that poses a view from the perspective of connection, thus banishing the annomie between them.
At Espinasse 31, Milan Italy & LightWave Austin ,Texas. Performance by Belen Bergman
Tribalizing the digital, digitizing the nature, Tribalizing the digital, digitizing the nature, Tribalizing the digital, digitizing the nature
Painting digital walls, skating real floors, Painting digital walls, skating real floors, Painting digital walls, skating real floors
I’m not a painter, I skate with paint, SKATE WITH PAINT, pATINtar, skating with paint, with pain, PAINturas, PAINtallas, PAINt
My work is based on a dual and feedback relationship between digital and physical space. The digitization of our behavior on the internet and the entire ecosystem that surrounds it to reach the de-digitization of the objects built in the virtual plane. We live within digital landscapes, decoding and finding beauty on and off the screen is one of the engines that allow me to create my pieces.
The manifestations and background symbolisms within the interactions that take place in the virtual world, have complex vertices that must be revalued and understood through their deconstruction, and I believe that one of the ways is through art, through this expression is that the world we live in can be understood in another way and can be resignified from another point of view
Skating with paint
